Lawrence Baron

[caption id="attachment_170093" align="alignright" width="257"] Laurie Baron[/caption]

Lawrence (Laurie) Baron, now retired, served as the Nasatir Professor of Modern Jewish History at San Diego State University. He served from 1988 to 2006 as director of SDSU’s Lipinsky Institute for Judaic Studies. He was the founder in 1995 of the Western Jewish Studies Association.

He writes two satire columns for San Diego Jewish World: “Humoring the Headlines” under his byline, and “Hounding the Headlines,” under the byline of his dog Elona.

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Books to his credit, available on Amazon, include:

Projecting the Holocaust into the Present: The Changing Focus of Contemporary Holocaust Cinema

The Modern Jewish Experience in World Cinema

The eclectic anarchism of Erich Muhsam (Men & movements in the history & philosophy of anarchism)

His most recent articles are:

“Making Room for the Jews: The House I Live In (1945),” AJS Perspectives, Summer 2023, 86-88.  

The Revolt of Job: Salvaging the Lost World of Rural Hungarian Hasidim,” Journal of Jewish Identities, 16:1-2 (January/July 2023), 181-198.

“Persistent Parallels, Resistant Particularities: Holocaust Analogies and Avoidance in Armenian Genocide Centennial Cinema, in Armenian and Jewish Experience between Expulsion and Destruction, ed. Sarah M. Ross and Regina Randhofer (Berlin: De Gruyter Oldenbourg, 2021), 267-296.

“The Pioneering American Jewish Women Directors from Elaine May to Claudia Weill,” Jews and Gender (Studies in Jewish Civilization), ed. Leonard Greenspoon (W. Lafayette, IN: Purdue University Press, 2021), 217-243.

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Cinematic history of White nationalism

Although screen neo-Nazis continue to be portrayed as ideologues, mad scientists, or thugs, historical docudramas and psychosocial films constitute an increasing portion of the movies about neo-Nazis produced since 1980. This corpus of movies renders their main characters victims of familial, political, or socioeconomic circumstances rather than as stock villains. Their proliferation reflects the escalation of white supremacist rhetoric into recurring acts of right-wing terrorism in Europe and North America from the 1980s on. Depending on the national origin of these pictures, the specific catalysts for radicalization differ, but the images and themes of Holocaust denial, nativism, Nazi iconography, the skinhead look, and virulent racism embraced by actual and fictional white nationalists resemble each other because they network with each other via Internet propaganda, international contacts, joint training maneuvers, rock music, and social media. [Laurie Baron, Ph.D]

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International, Lawrence Baron, Theatre, Film & Broadcast, USA

Satire: Expect the worst

To counter a boycott against Goya Food in protest of its CEO praising Donald Trump, Ivanka Trump posted a photo of her holding up a can of Goya Black Beans captioned in English and Spanish, “If it’s Goya, it’s got to be good.” Criticized for using her office to promote a product, she retorted that the photo was intended as a campaign ad to show Latino and African American voters that “black beans matter” to her father.  [Satire by Laurie Baron, Ph.D}

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Lawrence Baron, Trivia, Humor & Satire, USA

The coronavirus pandemic in couplets

Here are some coronavirus couplets:
Nothing makes me more livid                                                                                             
Than post-opening spikes of Covid.

It’s not an oppressive task                                                                                                                                
To have to wear a mask.
(Laurie Baron, Ph.D0

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Books, Poetry & Short Stories, Lawrence Baron, Trivia, Humor & Satire