Flesh and Sacrifice: Iba Ndiaye at the Metropolitan Museum of Art
The centerpiece of the exhibition is Ndiaye’s Tabaski III (1970), explicitly depicts the aftermath of ritual sacrifice. The ram’s body, twisted and half-abstracted, glistens in layers of crimson and ochre, its form dissolving into painterly matter. The flesh here is not symbolic—it is the subject, the drama, the philosophy. [Sam Ben-Meir]
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International, Jewish Religion, Music, Dance, and Visual Arts, Sam Ben-Meir, Staff and Bylined Contributors, USA











