‘The Night Portrait’: Another nice book to read
I commend Morelli for her courage in choosing to work with four point-of-view characters, and I can’t think of any way she could have removed any of them and still told such a sweeping story, but the book suffers, in my estimation, from the intricacies inherent in such an approach. Chapters range from two to around ten pages, meaning that often within a few minutes reading time we are bounced from one character to another, and from the fifteenth to the twentieth century and back again. One never has the chance to settle in, to feel involved with the characters, to develop a strong sense of caring, before one is off again someplace else. [Laurel Corona]
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