Sam Ben-Meir, PhD is an adjunct professor at Mercy College. His current research focuses on environmental ethics and animal studies. sam@alonben-meir.com
To anyone paying attention the last four years, Trump’s refusal to accept that he lost the 2020 presidential election fair and square could not truly come as a surprise. That he would never concede was practically a given. What we could not know (and still do not know) with any certainty is just how far Trump will go to maintain his grip on power. [Sam Ben-Meir, Ph.D]
OpEd: Power versus Duty in American politics Read More »
Sam Ben-Meir, USAThe Hooligans is Ghenie’s fourth solo exhibition at Pace Gallery, comprised of nine paintings and three drawings, all produced during this last year. It is a sustained engagement with European painting, including J.M.W. Turner, the Impressionists, and post-Impressionists, particularly Van Gogh and Gaugin. Ghenie remarks in a statement about this new body of work: “When I look at the Impressionists, I have the strange feeling that I am looking at something very schizophrenic. Behind those harmless colorful landscapes there is an incredible, destructive force; camouflaged. It is an act of hooliganism.” [Sam Ben-Meir, Ph.D]
The artist as ‘hooligan’ on exhibit at NYC’s Pace Gallery Read More »
Music and Visual Arts, Sam Ben-Meir, USAThe Museum of Modern Art is currently presenting Félix Fénéon: The Anarchist and the Avant-Garde – From Signac to Matisse and Beyond, examining the immense influence of this art critic, editor, publisher, collector and anarchist. Fénéon (1861-1944) saw the critic as a channel between the artist and the public – a role which had particular significance because art could further the cause of social justice and harmony. As Paul Signac would proclaim: “Justice in sociology, harmony in art: same thing.” [Sam Ben-Meir]
Anarchism and the Avant-Garde Read More »
Music and Visual Arts, Sam Ben-MeirThe Last Vermeer – producer Dan Friedkin’s directorial debut – is a well-paced and thoroughly engaging World War II drama. Joseph Piller (played by Claes Bang), is a Dutch Jew who fought with the Resistance during the war; and is now commissioned with uncovering and redistributing art stolen by the Nazis. Enter the flamboyant painter and art dealer, Han van Meegeren (masterfully played by Guy Pearce) who is suspected of selling Dutch art treasures to Field-Marshal Hermann Goering and other top Nazi officials. Piller’s story is complicated by a fraught relationship with his wife (played by Marie Bach Henson), who remained in Holland during the occupation; and while she provided intelligence to the Resistance, the implication is that she was only able to acquire such intelligence by carrying on a romantic dalliance with Nazi officers. [Sam Ben-Meir, Ph.D]
Film Review: The Last Vermeer Read More »
International, Music and Visual Arts, Sam Ben-MeirBy Sam Ben-Meir NEW YORK — “The paintings which I propose to do will depict the struggles of a people to create a nation and their attempt to build a democracy” – this is how Jacob Lawrence described his project in 1954. Over sixty-five years later his proposal has, if anything, become only more urgent.
The American Struggle: Jacob Lawrence at MMA Read More »
Music and Visual Arts, Sam Ben-Meir, USABy Sam Ben-Meir NEW YORK — The Museum of Modern Art is currently exhibiting Material Ecology, a tantalizing sample of the truly astounding and path-breaking work of Neri Oxman and her team, Mediated Matter group, at the Massachusetts Institute of Technology. Oxman is an American-Israeli architect and designer – yet these designations conspicuously fail to
Material Ecology: Neri Oxman at MMA Read More »
Music and Visual Arts, Sam Ben-Meir, USAThe Anglo-Australian multinational company Rio Tinto – the largest iron ore mining company in the world – demolished two 46,000-year-old Aboriginal rock shelters in May. What is particularly disturbing about this event is that Rio Tinto was apparently acting entirely within the law. Which is to say that this kind of tragic and wanton destruction will continue to happen unless stricter regulations are enacted. [Sam Ben-Meir, Ph.D]
Juukan Cave Destruction a Loss for Humanity Read More »
International, Music and Visual Arts, Sam Ben-Meir, Science, Medicine, & EducationIt does not seem possible that here in the United States, a country that has long prided itself on its humanity, a man could be serving a life sentence for stealing hedge clippers. Yet, shocking as it is, Fair Wayne Bryant’s story is the story of thousands of Americans whose lives have been decimated by draconian laws that disproportionately affect minorities. [Sam Ben-Meir, Ph.D]
End mandatory life sentences for non-violent offenders Read More »
Sam Ben-Meir, USA
Another extraordinary piece, Circus Maximus (2019) is one that I so deeply admired from the moment I saw it complete, for its vitality, its de-centered yet exquisitely balanced structure, its thematic unity, and vibrant palette, its countless intertwining stories – I so wanted my kids to grow up with this lively and inexhaustible work that Anderson kindly let me have it and pay it off gradually. He told me he had been collecting the materials that went into it for seven years, which could hardly be doubted. Michael waited until it had become something of the past and then he created this epic tribute to the circus world with all its zaniness, its indefatigable physicality, its costumes and clowns with their joviality yet frightening undercurrents, the animals, elephants, and lions, and so much more. The circus always struck me as a theme for which Anderson’s art was destined, perfectly suited to his unstoppable talent for deconstruction and recreation – here was a subject the content of which he could explore, take apart and endlessly reconfigure in his inimitable style. Anderson could in life play the clown, laughing or crying, for he was not afraid to show his tears – but he was most truly, I believe, the tightrope walker: always living on the edge but with supreme skill, and poise, and his own style of grace. [Sam Ben-Meir, Ph.D]
In memory of Michael Anderson, collage master Read More »
Music and Visual Arts, Sam Ben-Meir
The bountiful new book, Rita Blitt: Around and Round (Tra Publishing, 2020), looks back at the long and prolific career of this notable American artist. If Blitt’s work is about anything then it is about the exuberance, the joy, the sometimes almost mad ecstasy of creative spontaneity. Much of her work is suffused with a kind of wild and kinetic extemporaneity, which seems to resound with a forceful but unforced “Yes!” – a Yes to life, a Yes to the world, a Yes to the here and now, the living moment pregnant with infinite possibility. Her gestural art is dynamic, uninhibited, and no less sensuous for being abstract. In the improvisational, rhythmic musicality of her paintings, Blitt expresses with unerring directness the energy and intensity of embodied imaginative experience. [Sam Ben-Meir, Ph.D]
Spontaneous Lines: The Art of Rita Blitt Read More »
Books, Poetry & Short Stories, Music and Visual Arts, Sam Ben-MeirThe Supreme Court decided on June 15 that the Civil Rights Act of 1964 protects gay and transgender workers from workplace discrimination. Discrimination ‘because of sex’ is unlawful. But what is it that makes discrimination morally wrong? It is useful to examine this from a Kantian standpoint because Immanuel Kant lays the foundation for recognizing the inherent dignity of every individual – and discrimination is indeed an affront to human dignity. [Sam Ben-Meir]
Kant on why we must not discriminate Read More »
Books, Poetry & Short Stories, Sam Ben-Meir, Science, Medicine, & EducationHospital data is now going directly to the Trump administration rather than the Centers for Disease Control and Prevention. This will have immediate and far reaching consequences. Already valuable CDC pages that tracked changes in the number of occupied and available hospital beds in the nation for COVID-19 patients stopped working as a result of the switch. We have essentially lost this important metric for gauging the progress of the disease. The sidelining of the CDC is nothing less than a travesty and Americans should be outraged and alarmed. This loss of transparency will lead inevitably to an even worse pandemic and greater loss of life. [Sam Ben-Meir]
Less transparency will worsen the pandemic Read More »
Sam Ben-Meir, Science, Medicine, & Education, USA
Ruth Poniarski is a painter and the author of Journey of the Self: Memoir of an Artist (Warren Publishing, 2020), in which she tells the story of her decade long struggle with mental illness, a “spiraling malady” which led her into a “pattern of psychosis.” I recently had the opportunity to talk with Poniarski about her life and work, and how she eventually overcame her demons. [Sam Ben-Meir, Ph.D]
A conversation with artist Ruth Poniarski Read More »
Books, Poetry & Short Stories, Jewish Religion, Music and Visual Arts, Sam Ben-Meir
Walking through the park this weekend I noticed a man on a bench reading Metaxas’ acclaimed biography of German theologian and anti-Nazi dissident Dietrich Bonhoeffer. And it occurred to me then and there that this is indeed a moment in our history when we may acquire much needed insight and inspiration by revisiting Bonhoeffer’s extraordinary life and legacy. [Sam Ben-Meir, Ph.D]
Dietrich Bonhoeffer’s life an example for today Read More »
International, Sam Ben-Meir, USA