Sandi Masori

Set in a carwash in Chula Vista, this multilingual show is about families — both born and discovered.  Don’t worry if you don’t speak Spanish, the most important parts are in English, and Spanish is used to give it color and flavor. It is mostly slang.  You will be able to get what’s going on from the context, and in those few places where you may not understand, one of the characters will explain.  [Sandi Masori]

Adapted from an old Hungarian play, Play At The Castle by Ferenc Molnar, it’s a play within a play about a play.  I’ll give you a brief synopsis in a moment, but honestly, in this play, the plot doesn’t matter.  Not to say that there isn’t one, but what it really delivers on is LPM- that’s laughs per minute.  This over-the-top comedy does not take itself too seriously and even calls itself out on the things happening to move the action along.  I don’t remember ever laughing so hard or often at a show.  Every line landed.  Every physical comedy bit hit. The absurd became plausible and wonderful. [Sandi Masori]

It all comes to a boil at the end of the first act, when at a party celebrating the engagement of Schultz and Schneider one of the inn’s resident ladies of the night tells Ludwig that Schultz can afford the party because the Jews have all the money anyway, thus bringing to his attention Schultz’ ethnicity.  [Sandi Masori]

Siguenza, who was formerly the playwright in residence at the San Diego Repertory Theatre, wrote and acted in the one-man play A Weekend With Pablo Picasso which is playing in an encore performance at the New Village Arts theatre in Carlsbad. [Sandi Masori]

What can I say about the show that is currently at the Civic Theatre?  I never knew death could be so fun!  The show was a high-energy ball of laughs that never stopped moving.  From the moment the curtains opened the crowd was there for it.  I’ve never heard such a roar to the opening lines before.   [Sandi Masori]

I’ve heard of theatre-in-the-round before, but I’ve never heard of Theatre-ALL-around!  And yet that is exactly what you’re in for when you go to see Underground at the Coronado Playhouse. [Sandi Masori]

The story begins as they prepare for Shabbat. But the story is not about Shabbat, or heavier themes that we may expect from “Jewish” shows, it’s about a blended family learning to overcome their respective grief and come together as a family.  It’s about motherly love between a daughter and a stepdaughter and feelings of familial betrayals. [Sandi Masori]

Electric! That is the first word that comes to my mind when I think about the SIX, the Broadway in San Diego show currently playing at the Civic Theatre. It’s the shortest Broadway musical I have ever seen, being only one act and clocking in at about an hour and twenty minutes, but every single one of those minutes is jam-packed with energy and earworm-worthy tunes. [Sandi Masori]

I want to precede this review by saying that I think avantgarde theatre that is designed to make you think is an important creative expression and we need art that starts conversations. Now having said that, I have to admit that it left me scratching my head wondering if I were smart enough to be in the audience.  [Sandi Masori]