‘Death of Klinghoffer’ like ‘The Producers’ come true
By Joe Gandelman TORONTO, Canada– Is Mel Brooks smiling? Brooks’ 1968 comedy The Producers dealt with an outrageous, fictitious Broadway musical called Springtime for Hitler that trivialized Nazism and became a surprise hit. The New York Metropolitan Opera is now presenting The Death of Klinghoffer, which tries to explain the point of view of PLF members
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