I held the first three chapters of Turning Back in my hands in 1997. There were only three chapters written at that time. Yet, I knew someday I’d be holding this work between its covers, for I felt the prescient weight of the book resting in my hands at the time. I went ahead and encouraged Michael to develop this work into a full-fledged memoir. Taking pen in hand the thoughts poured out of him, composing one of the most illuminating and gifted memoirs I’ve ever read. I paired Michael with literary agent, Peter Rubie, who I had met many years ago. Together they made music. Peter, whose background is in investigative journalism, made Michael his subject, digging deeper and deeper into the memoirist’s unconscious thoughts. This was not an easy process for the author, for at times it was as arduous as deep psychoanalytic probing into the painful regions of human consciousness. To answer Rubie’s many editorial questions, Michael had to plow through his personal memories, his reflections, his reactions, and his analyses just in order to find the real truth behind the words. The memoirist had to reach his deepest level of literary expressiveness, a condition precedent for writing the story of his own coveted decision to journey back to the richness and fullness of religious life as set forth in the Jewish tradition of thousands of years. [Amy Neustein, Ph.D]