A tale of three cons
By the morning after Comic-Con, the giant studio wraps and offsites had been dismantled. The Gaslamp sign over Fifth Avenue, which had spent the weekend disguised as an Eastern European gateway for Avengers: Doomsday, was once again the familiar entrance to the Gaslamp Quarter’s main street. More than 135,000 fans had come and gone, taking their costumes, props and collective, humidity-enhanced body odor home. (Shor M. Masori)
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